Sølve Jozeph Westli is an artist, producer, and designer who blends deep sonic landscapes with immersive storytelling. Under the artist name Jozeph, he explores atmospheric and cinematic sounds, creating music that moves seamlessly between electronic, ambient, and experimental genres. His compositions are rich in texture, often incorporating organic instrumentation, field recordings, and sound design.
Live Performance & Collaboration
As a performer, Westli wants to bring presence to the stage, crafting live sets that are both dynamic and deeply engaging. He has collaborated with artists such as Glenn Kvernmo, Frøya Montezino, and May Huseth Kehr, continuously pushing the boundaries of sound and performance. His artistic range also extends into contemporary classical music, having composed two works for the renowned BIT20 Ensemble, further showcasing his ability to navigate diverse musical landscapes.
One Tune a Day – A Creative Experiment
In 2016, Westli embarked on One Tune a Day, an ambitious challenge where he composed, recorded, and uploaded a new piece of music to YouTube daily. With just one hour to create each track, it became an exercise in spontaneity, discipline, and artistic growth.
“I had to let go of perfectionism and just trust the creative process. No matter what the outcome was, I had to commit and put it out there,” Westli reflects. The project not only expanded his compositional skills but also reinforced his ability to work quickly and instinctively—an approach that continues to shape his music production today. [Listen to the project here.]
Production & Sound Design
Beyond his artistry, Westli is a skilled music producer with a deep understanding of spatial audio and immersive sound design. From his home studio, he crafts and mixes productions that highlight his keen ear for detail and sonic depth. Drawing from his experience in exhibition design and large-scale installations, he seamlessly merges sound with visual elements to create fully immersive experiences. Whether producing studio recordings, composing for ensembles, or designing soundscapes for exhibitions, he excels at bridging the gap between music, technology, and emotion, making each piece a carefully curated journey for the listener.